Two plates, as made

Paris

Street photograph beside true aerial photograph. Do not treat them as the same kind of evidence.

Avenue de l’Opéra — demolition, c. 1877. Charles Marville. Street photograph.

c. 1877·Paris

Avenue de l’Opéra — demolition

Charles Marville

Street photograph

What this plate shows

The cut for the Avenue de l’Opéra: a street of houses opened, timber shores, rubble, a camera standing in the demolition. Marville recorded what Haussmann’s boulevards destroyed. Street photography of unmaking. Not an overview of Paris.

Image type
Street photograph
Source
J. Paul Getty Museum / Brown University Library; Wikimedia scan.
License
Public domain.
Open this plate alone
Aerial view of Paris — Place de l’Étoile, 1868. Nadar (Gaspard-Félix Tournachon), from Henri Giffard’s tethered balloon.. True aerial photograph.

1868·Paris

Aerial view of Paris — Place de l’Étoile

Nadar (Gaspard-Félix Tournachon), from Henri Giffard’s tethered balloon.

True aerial photograph

What this plate shows

A camera in a balloon. The Arc de Triomphe sits in the star of new avenues Haussmann cut from the Étoile. Rooftops and roadbeds are seen from above, not imagined from above. BnF preserves a plate of eight views Nadar took from this tethered balloon in 1868. This is a true aerial photograph — the first surviving generation of Paris from the air.

Image type
True aerial photograph
Source
Brown University Library; Wikimedia Commons file of the 1868 balloon exposure.
License
Public domain (Nadar died 1910; published nineteenth century).
Open this plate alone