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Monumental architecture
Period photographs of named structures. Documented identification first. Present status is a later fact recorded beside the plate — surviving, altered, burned, demolished, reconstructed, replaced — not a verdict the image is asked to prove.

c. 1870·Vienna
St Stephen’s Cathedral, Vienna
Michael Frankenstein, photographer.
Elevated photograph · Surviving
The Stephansdom photographed with the roofs and streets around it. This is not a bird’s-eye of all Vienna. It is a camera record of the cathedral and the city’s fabric at that spot, about 1870.
Open plate
c. 1860s·Rome
Panorama from the dome of St Peter’s
Unidentified photographer. Albumen print from collodion negative.
Elevated photograph · Surviving
Rome photographed from the cupola of St Peter’s: the basilica fabric in the foreground, the city spread beyond. An elevated photograph from a known high point, not a balloon plate and not a drawn bird’s-eye. The camera is on the dome.
Open plate
c. 1905·Melbourne
Melbourne from the dome of the Exhibition Building
Period stereograph. Camera on the 1880 Exhibition Building.
Elevated photograph · Surviving
Melbourne photographed from the dome of the 1880 Exhibition Building: parks, a grid, low masonry, a few taller piles. An elevated photograph from a known high point. The camera stands on world’s-fair architecture that was kept. Do not treat the view as a lithograph of the city.
Open plate
c. 1909·New York
Singer Tower from the North River
Period stereograph from a ferry in the Hudson.
Elevated photograph · Demolished
Lower Manhattan from the water: the Singer Tower the tall needle among office blocks, ferries, the working river. Photographed while the tower still stood. It would be taken down in 1967–68. Do not read the empty lot at 149 Broadway back onto this plate.
Open plate