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Panoramas and aerials
Drawn strips, stitched or wide photographs, and cameras in balloons. The type is the first fact.

1868·Paris
Aerial view of Paris — Place de l’Étoile
Nadar (Gaspard-Félix Tournachon), from Henri Giffard’s tethered balloon.
True aerial photograph
A camera in a balloon. The Arc de Triomphe sits in the star of new avenues Haussmann cut from the Étoile. Rooftops and roadbeds are seen from above, not imagined from above. BnF preserves a plate of eight views Nadar took from this tethered balloon in 1868. This is a true aerial photograph — the first surviving generation of Paris from the air.
Open plate
1889·Paris
Paris from a balloon — Exposition Universelle
Alphonse Liébert, photographer. From a balloon above the Trocadéro.
True aerial photograph
A balloon photograph of the 1889 Exposition: the Eiffel Tower, Champ de Mars, Seine, Pont d’Iéna. Twenty-one years after Nadar’s Étoile plate. True aerial, not a lithograph of the fair. Outside the 1870 ± 10 window — keep it in the aerial drawer, not in that compare.
Open plate
1906·San Francisco
San Francisco in ruins from a captive airship
George R. Lawrence Co. Camera suspended from kites, 28 May 1906.
True aerial photograph · Reconstructed
A camera hung from kites about 2,000 feet up, 28 May 1906. The Ferry Building and the waterfront in the near field. Market Street running inland through a field of ruins. True aerial photograph — not a lithograph of the disaster. Six weeks after 18 April. The fire is out. The city as the lens found it.
Open plate