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Panoramas and aerials
Drawn strips, stitched or wide photographs, and cameras in balloons. The type is the first fact.

c. 1860s·Rome
Panorama from the dome of St Peter’s
Unidentified photographer. Albumen print from collodion negative.
Elevated photograph · Surviving
Rome photographed from the cupola of St Peter’s: the basilica fabric in the foreground, the city spread beyond. An elevated photograph from a known high point, not a balloon plate and not a drawn bird’s-eye. The camera is on the dome.
Open plate
c. 1905·Melbourne
Melbourne from the dome of the Exhibition Building
Period stereograph. Camera on the 1880 Exhibition Building.
Elevated photograph · Surviving
Melbourne photographed from the dome of the 1880 Exhibition Building: parks, a grid, low masonry, a few taller piles. An elevated photograph from a known high point. The camera stands on world’s-fair architecture that was kept. Do not treat the view as a lithograph of the city.
Open plate
c. 1913·New York
Looking down from the Woolworth tower
Period stereograph from the new tower.
Elevated photograph · Surviving
New York photographed from the Woolworth tower shortly after it opened: roofs, streets, the harbor edge. An elevated photograph from a known high-rise, not a bird’s-eye lithograph and not a balloon plate. The camera is on steel-frame architecture looking at whatever still stood around it.
Open plate